(Note: Arquitectura is a Chilean architecture magazine. The content is in Spanish.)

by F. PfennigerImage

Ya el título del proyecto (Arte como Refugio) es sugerente. Se trata de un pabellón de uso diverso y múltiple (sala de clases, salón de observación y reflexión, objeto, escultura) dispuesto en un prado asociado al parque de esculturas del Museo de Arte de Carolina del Norte, específicamente en el programa de parques de arte o ‘arte en servicio’. Concebido como un espacio cubierto pero abierto (un refugio) el volumen indaga en tres cuestiones fundamentales: el repliegue y despliegue de los bordes y límites del espacio construido, la transparencia y permeabilidad de dichos bordes y el efecto del entorno sobre el volumen resultante, especialmente de la luz y del aire. Transparencias, sombras, reflejos, brillos se van alternando según las horas y las estaciones destacando la nervadura de la estructura que lo sostiene. READ MORE…



MindTheGardenCompositposted by Kim Weiss, Blueplate PR

Downtown Charleston isn’t exactly known for cutting-edge architecture,” wrote Robert Behre of the Charleston Post & Courier in November of 2010. “[This exhibition] provides a glimpse of what the city’s been missing out on.”

The exhibition he referenced was the result of an imaginary exercise called “The HuB Design Competition.” Sponsored by the Charleston chapter of Architecture For Humanity, the competition challenged designers to create a new 50,000-square-foot transit hub, to be built on the surface parking lot at Meeting and John streets next to the Charleston Visitor Center, with offices, retail, meeting, and green spaces and the ability to serve light rail, tourists, bus riders, and cyclists.

Sixty-six entries from six continents came in, and the winner was:

“Mind the Garden” by David Hill and Laura Garofalo of Tonic Design + Tonic Construction in Raleigh, NC. The prize: $1250.

The winning entry, from Tonic Design of Raleigh…would aim to create a vibrant city space not by making a monumental building — like most train stations of the past — but an urban garden that commuters and city dwellers could use,” wrote Behre when he announced the winners.

“Mind the Garden” is a vessel and stage that would sustain and enrich local culture. The bar building’s bays, at the ground level, would create market (retail) stalls for regional goods, such as Gullah baskets and farmers’ produce.

The designers took some of their cues from the historic Charleston Single Houses that offer compelling models for environmental sustainability, but their enclosed gardens privatize green space and do little to encourage public encounters. The “Mind the Garden” scheme would break down the garden-wall barriers to make pleasant, welcoming green space and provide a threshold to introduce local culture to Charleston’s visitors. Small pavilions for waiting, cafes, ticketing, and vending would occupy and invigorate the garden platform.

The green space functions simultaneously as a pathway, a place of rest, and a surface for activity, while making connections beyond the site, coupling axially with Wragg Square to the north and east.

The winning entries were displayed in the windows of the former Millennium Music store in downtown Charleston.

The competition may have been imaginary, but as Steve Ramos, an architect with LS3P and Architecture for Humanity chapter leader, told Behre, “We want people in Charleston to see this stuff – and think about it.”

Architecture for Humanity is a nonprofit that searches for design solutions to humanitarian crises and that provides free design services to worthy causes. For more information, visit